Stephen Dwoskin Movies

'Dyn Amo' is a 'drama' exploring the distinction between a person's self and his projection of that self to others; and it's a 'horror movie'...

This autobiographical film evolves from the perspective of events and images over a period of over 50 years.

'The Silent Cry is a fictionalised narrative film, based on documentary facts and extracts of one English girl's memories and thoughts, all...

A static camera records, in one single continuous shot, a woman's face before, during and after orgasm. The act of looking and the limits of the film...

"Hi Steve" and "Dear Robert" exchanged between two filmmakers: Robert Kramer and Stephen Dwoskin. "The Videoletters strip away the formalities that...

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes...

DIRTY is the reincarnation of two girls, a bottle and one bed. Their bodies, hands and face expressions reach out in a refilm look.

Stephen Dwoskin’s final film is a meditation on the subjective experience and cultural concepts of ageing. The film is an ode to the texture,...

A sexually frustrated man complies with the emotional and erotic wishes of four women, but afterwards he is left even lonelier than before.

A man walks towards the camera down the end of a street to the sound of 'Jesus’ Blood Never Failed Me Yet', a composition by Gavin Bryars based...

Short strip by Stephen Dwoskin.

Stephen Dwoskin brings together members of the Ballet Negres dance company, founded in London in 1946.

An old man remembers the troubled relationship he had with his mother, the erotic games, and the phantasms in which she managed to attract him. The...

"Either in its natural state or with its embellishments of makeup, jewels, and hairdos, nothing can restrain the imagination from the most forms of...

Lost dreams is made out of those little remnants of images, from a single glance to a detailed moment, of those women from youth’s love and...

“Suddenly and sadly my dear friend Frances died. At that moment of loss I needed to hold on to her. The film is just that.” –...

Trixi is Dwoskin’s most convulsive version of his recurrent theme: the confrontation of a solitary girl with the camera. Shot in one continuous...

Intoxicated by My Illness (in which images photographed by several people are extensively superimposed) loosely and dreamily tracks a phase in...

The film questions the possible viewing positions with the girl; in other words, who and what is looking at whom? and is the girl alone or with...